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Tchorek plaques : ウィキペディア英語版
Tchorek plaques

Tchorek plaques are a common design of memorial plaque in Warsaw, Poland, used to commemorate places where battles or executions took place during the German occupation of the city during World War II. They are based on an original design by sculptor Karol Tchorek from 1949.
These plaques were installed at various locations in Warsaw from the 1950s until the end of the communist era in Poland, and are one of the most characteristic elements of the landscape of the capital. Many of the original plaques no longer exist, having been removed or destroyed during the ongoing modernisation and expansion of the city and its transport network. However, in 2013 there were still more than 160 Tchorek plaques within the administrative borders of Warsaw.
== History ==
Warsaw was almost completely destroyed during World War II, and after the Warsaw Uprising of 1944 the entire population of the city was expelled ''en masse'' by the Germans. After the Soviet army entered Warsaw in January 1945, following the departure of the Germans, inhabitants returning to the ruined city began to spontaneously commemorate places where battles or executions had taken place during the period of German occupation and the Warsaw Uprising, with crosses and makeshift memorials.
After some time, the authorities of the nascent People's Republic of Poland decided to give these memorials a more formal and organised character. This task was entrusted to the Committee for Protection of Monuments of Struggle and Martyrdom, established by the city of Warsaw. In the second half of the 1940s the committee decided to use memorial plaques made to a uniform design, which initially consisted of black metal plates adorned with white crosses and a brief description of the events that had taken place at the location.〔Ciepłowski (1987), p. 9.〕
In 1948, a nationwide competition was announced to create a formal design of memorial plaque to commemorate Polish struggle and martyrdom under German occupation. A year later the first prize was awarded to Warsaw sculptor Karol Tchorek who designed a type of array-relief, forged in grey sandstone, with a Maltese cross in the middle.〔Chmielewska, p. 101〕 Starting from the 1950s, "Tchorek plaques" were used to commemorate martyrdom sites in Warsaw and the surrounding suburban towns (including Marki and Opacz Kolonia). Tchorek's design continued to be used until the end of the communist era, and even as late as 1994.〔Ciepłowski (2004), pp. 307, 311.〕 According to Ella Chmielewska, the plaques have merged into the landscape of the city to the extent that they are often treated not as works of art, but as a specific element of the urban information system.〔Chmielewska, p. 102〕
In 1962, the Citizens Committee for the Protection of Monuments of Struggle and Martyrdom decided that young people would be entrusted with looking after individual plaques, and most still have their own patrons today. This function is generally performed by schools, public institutions, enterprises, community organisations and professional associations.〔Ciepłowski (1987), pp. 10–11.〕
Tchorek originally intended the plaques to have a central inscription which read: ''"This place is sanctified by the blood of martyrdom of Poles fighting for freedom"'' but this was changed during the implementation of the project to: ''"This place is sanctified by the blood of Poles fighting for the freedom of their homeland."'' His proposals for the text describing the commemorated events on individual plaques were also repeatedly modified without his knowledge and consent.〔Chmielewska, p. 104〕 This state of affairs became a cause of persistent conflict between Tchorek and the communist bureaucracy. In 1968 a dispute with the Laboratory of Visual Arts over the copyright and remuneration for the lettering of 51 plaques and 35 monoliths was settled in his favour.〔Chmielewska p. 103〕
The wording of the text was always heavily influenced by political pressure. Most of the plaques commemorate German atrocities that took place during the Warsaw Uprising, an event that the communist authorities of the People's Republic of Poland found highly controversial, as it was organised by the Polish resistance movement which had fought for Poland's independence during World War 2 - principally the Home Army, the remnants of which were brutally suppressed by the post-war Stalinist regime. The significance of the uprising was downplayed for many years after the Second World War, while the Home Army and wartime Polish government were condemned by communist propaganda. These political factors made official memorialisation of the Warsaw Uprising impossible for decades after the war.
For this reason the inscriptions on Tchorek plaques had to be carefully worded to comply with official censorship, principally to avoid any direct reference to the Warsaw Uprising or the Home Army, although they sometimes contain indirect references - for example, in some cases the text mentions "insurgents" or that the commemorated event took place in an "insurgent hospital".
Another linguistic convention used in the inscriptions is that the Germans are always referred to as "Hitlerowcy" (Hitlerites).
The exact number of Tchorek plaques that were created is not known. At the end of 1983 there were still approximately 200 in existence.〔Ciepłowski (1987), p. 10.〕 In his 1987 registry, Stanislaw Ciepłowski evaluated their number at about 180.〔Ciepłowski (1987), p. 30.〕 In this article we describe 165 plaques located within the administrative boundaries of the city of Warsaw.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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